Elevator to the Gallows

Put this at the top of your Netflix queue. Elevator to the Gallows is a French nior from the 1960s, and probably the best looking and sexiest noir I have ever seen (see above picture). The movie is about a plot to kill a boss and misstress' husband that goes horribly awry when the murderer gets stuck in the elevator after his crime. His car is stolen by a teenage couple in trouble and his girlfriend wanders the streets of Paris wondering what happened to him. This is a good thriller in the Hitchcock vein, but it also has a new wave/Truffaut sensibility, catching all the tragic consequences of mundane mistakes. And you will never forget that girl in blond stalking through the night.
Cursive: Happy Hollow

I don't believe I've written in cursive since fifth grade. I could never get the hang of the letters "s" and "r". But I do like Cursive, the band. Their last album, The Ugly Organ, was great. And although they have now lost that "indie-punk with a cello" status with Happy Hollow, they've kept the songwriting and energy, and added horns. Horns on a rock album could spell doom (see Chicago, or any cheesy 80s single), but they work here. Please, check them out. Try "Dorothy at Forty".
The Hold Steady: Separation Sunday

The Hold Steady are more of a traditional rock band than Cursive. Just the jangly guitars of a bar band, an irresistable one. Craig Finn sing-shouts in the style of a more gnarled Issac Brock, telling the stories of junkies that get born again, bored again, and perhaps die and live again. This has been my summer album, where I listen repeatedly to hear the stories and fight the urge to sing along while I'm in the Metro. Try "Your Little Hoodrat Friend" and "The Banging Camp".

